Theater-dance: fusion or nothing! 

When theater becomes movement and dance becomes theatrical, the language that gets created speaks to us through the mental being of the actor-dancer, through his or her impulsions and complex imagination.  Issue number 105 of the review Alternatives théâtrales (Theatrical Alternatives), published in partnership with Company Mossoux-Bonté and the International Festival of Les Brigittines, dives into the very particular dynamic of theater-dance in order to reveal its different facets and analyze its process of creation.